Four of our Big Damn Heroes were seen at the premiere of “In Good Company” last night, including Adam Baldwin, Summer Glau, Morena Baccarin, and Nathan Fillion.

Dear Nathan,

No.

Love,

Priscilla

P.S. The moustache must go as well.

Also, in this shot from “The Pierre Heist”, it appears James Marsters has allowed his hair to grow out a millimeter or two since “The Mountain”, which is at least a step in the right direction. *heavy sigh*

How can such pretty men be so clueless?

Life is so good! Turned in my paper, and got a B on the final exam I thought I’d done poorly on. I’d say this merits a w00t w00t, wouldn’t you?

Stupid Your-Site.com temporarily disabling FTP access. Let’s see if this posts… For some reason, I’ve been able to FTP from the animation lab, but not from my room. Weirdness. So let’s see if I can publish my blog, gah.

In other news, it’s so satisfying when you set out to write a paper longer than you’ve ever done before and you find yourself decreasing font size. :D

Poll: If I named my essay “The Force of New Technology: How the Star Wars Saga Transformed the Special Effects Industry” would you want to punch me in the face?

I would.

*is cross* Why do only half of the articles that show up on the RSS feed of Whedonesque actually exist? I click on a link and find that oh, there’s no entry associated with it. And I go to the main index and it’s not there, either. Oh, my life is filled with angst!

And now: Cinefex and Industrial Light and Magic: The Art of Special Effects say the AT-ST walkers of Return of the Jedi were animated with go-motion animation. The Stop-Motion Filmography claims stop-motion. Life is so hard.

Huh. Does anyone know the proper MLA bibliographic formatting for citing a “talking heads”-style DVD featurette?